{"id":85,"date":"2025-03-20T14:35:38","date_gmt":"2025-03-20T13:35:38","guid":{"rendered":"https:\/\/charlottemuller.fr\/?page_id=85"},"modified":"2026-08-17T18:55:05","modified_gmt":"2026-08-17T16:55:05","slug":"realisation","status":"publish","type":"page","link":"https:\/\/charlottemuller.fr\/?page_id=85","title":{"rendered":"R\u00e9alisatrice"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Projects&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;5px||||false|false&#8221; locked=&#8221;off&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;13px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;4270d3d5-64f5-4652-87f9-0abe702863b1&#8243; header_font=&#8221;&#8211;et_global_heading_font|100||on|||||&#8221; header_text_align=&#8221;left&#8221; header_text_color=&#8221;#51505D&#8221; header_font_size=&#8221;50px&#8221; header_letter_spacing=&#8221;2em&#8221; header_line_height=&#8221;1.3em&#8221; header_2_font=&#8221;&#8211;et_global_body_font|100||on|||||&#8221; header_2_text_align=&#8221;left&#8221; header_2_text_color=&#8221;#51505D&#8221; header_2_font_size=&#8221;50px&#8221; header_2_letter_spacing=&#8221;2px&#8221; header_2_line_height=&#8221;1.6em&#8221; header_2_font_size_tablet=&#8221;50px&#8221; header_2_font_size_phone=&#8221;40px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>R\u00e9alisation<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width_tablet=&#8221;&#8221; width_phone=&#8221;90%&#8221; width_last_edited=&#8221;on|phone&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|auto|90px|auto||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_padding_tablet=&#8221;||30px||false|false&#8221; custom_padding_phone=&#8221;||30px||false|false&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;http:\/\/charlottemuller.fr\/wp-content\/uploads\/2026\/03\/VAOUR_DEC25.00_59_06_11.Still002-scaled-e1774522471993.jpg&#8221; title_text=&#8221;JUR&#8221; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||-40px||false|false&#8221; custom_margin_tablet=&#8221;||-40px||false|false&#8221; custom_margin_phone=&#8221;||-40px||false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;257df6e0-4e81-44f1-87c9-ef367f9d54b3&#8243; header_3_font=&#8221;&#8211;et_global_heading_font|100||on|||||&#8221; header_3_text_color=&#8221;#51505D&#8221; header_3_line_height=&#8221;1.4em&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_color=&#8221;#CED4BE&#8221; custom_margin=&#8221;||10px||false|false&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>JUR<\/h3>\n<h5>France \/ Espagne (70&#8242;) &#8211; PY Production &#8211; en d\u00e9veloppement<\/h5>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p class=\"cvGsUA direction-ltr align-justify para-style-body\">Jur, artiste catalane vivant dans le Tarn, est en r\u00e9mission d\u2019une tumeur c\u00e9r\u00e9brale. \u00c0 l\u2019aube de ses 45 ans, elle multiplie les projets artistiques pour tenir sa peur de la mort \u00e0 distance. Entre cr\u00e9ation, corps et m\u00e9moire, elle cherche \u00e0 se r\u00e9approprier son v\u00e9cu et \u00e0 transformer l\u2019\u00e9preuve intime en une force de cr\u00e9ation.<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.7&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; text_text_color=&#8221;#bfbfbf&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; custom_padding=&#8221;||2px|||&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p>Jur, a Catalan artist living in the Tarn, is in remission from a brain tumour. As she approaches her 45th birthday, she immerses herself in artistic projects to keep her fear of death at bay. Through creation, the body and memory, she seeks to reclaim her experience and transform a deeply personal ordeal into a source of creative strength.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;|auto|90px|auto||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_padding_tablet=&#8221;||30px||false|false&#8221; custom_padding_phone=&#8221;||30px||false|false&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;http:\/\/charlottemuller.fr\/wp-content\/uploads\/2025\/03\/LA-FIANCEE-DE-L_EAU-scaled.jpg&#8221; title_text=&#8221;Ma grand-m\u00e8re en maillot de bain&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||-40px||false|false&#8221; custom_margin_tablet=&#8221;||-40px||false|false&#8221; custom_margin_phone=&#8221;||-40px||false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;257df6e0-4e81-44f1-87c9-ef367f9d54b3&#8243; header_3_font=&#8221;&#8211;et_global_heading_font|100||on|||||&#8221; header_3_text_color=&#8221;#51505D&#8221; header_3_line_height=&#8221;1.4em&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_color=&#8221;#CED4BE&#8221; custom_margin=&#8221;||10px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Ma grand-m\u00e8re en maillot de bain<\/h3>\n<h5>Belgique (11&#8242;) &#8211; 2025<\/h5>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">M\u00e9m\u00e9, c\u2019est ma grand-m\u00e8re polonaise qui s\u2019est suicid\u00e9e quand j\u2019avais 17 ans. Parce que la r\u00e9alit\u00e9 est parfois trop cruelle, c\u2019est \u00e0 travers les souvenirs d\u2019enfance d\u2019un enfant de six ans, na\u00eff et tendre, que je raconte son histoire.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; text_text_color=&#8221;#bfbfbf&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><i><span style=\"font-weight: 400;\">My grandmother never learned to swim. She commited suicide when I was 17 by drowning herself in the river. Because reality is too sad, I chose to tell her story through the childhood memories of a six years old child.<\/span><\/i><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;|auto|90px|auto||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_padding_tablet=&#8221;||30px||false|false&#8221; custom_padding_phone=&#8221;||30px||false|false&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;http:\/\/charlottemuller.fr\/wp-content\/uploads\/2025\/03\/NO-MAN_S-LAND.jpg&#8221; title_text=&#8221;NO MAN&#8217;S LAND&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||-40px||false|false&#8221; custom_margin_tablet=&#8221;||-40px||false|false&#8221; custom_margin_phone=&#8221;||-40px||false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;257df6e0-4e81-44f1-87c9-ef367f9d54b3&#8243; header_3_font=&#8221;&#8211;et_global_heading_font|100||on|||||&#8221; header_3_text_color=&#8221;#51505D&#8221; header_3_line_height=&#8221;1.4em&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_color=&#8221;#CED4BE&#8221; custom_margin=&#8221;||10px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>No man&#8217;s land<\/h3>\n<h5>Belgique (22&#8242;) &#8211; 2019<\/h5>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">Portrait crois\u00e9 de trois femmes ind\u00e9pendantes qui font le choix d&#8217;avoir un enfant seule. No Man&#8217;s Land, c&#8217;est l&#8217;espace hors-la-loi entre la France et la Belgique en mati\u00e8re de PMA, et une r\u00e9flexion sur le conflit moderne entre maternit\u00e9 et \u00e9mancipation f\u00e9minine.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; text_text_color=&#8221;#BFBFBF&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><i><span style=\"font-weight: 400;\">A serene short film about intentional motherhood, in which three women on a train trip describe the process and share their train of thoughts in an interior monologue.<\/span><\/i><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"text-decoration: underline;\"><a href=\"https:\/\/vimeo.com\/348450767?share=copy#t=0\" target=\"_blank\" rel=\"noopener\" title=\"No man's land\">Lien de visionnage<\/a><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;|auto|50px|auto||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_padding_tablet=&#8221;||30px||false|false&#8221; custom_padding_phone=&#8221;||30px||false|false&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;http:\/\/charlottemuller.fr\/wp-content\/uploads\/2025\/03\/SENTINELLE.jpg&#8221; title_text=&#8221;SENTINELLE&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||-40px||false|false&#8221; custom_margin_tablet=&#8221;||-40px||false|false&#8221; custom_margin_phone=&#8221;||-40px||false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;257df6e0-4e81-44f1-87c9-ef367f9d54b3&#8243; header_3_font=&#8221;&#8211;et_global_heading_font|100||on|||||&#8221; header_3_text_color=&#8221;#51505D&#8221; header_3_line_height=&#8221;1.4em&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_color=&#8221;#CED4BE&#8221; custom_margin=&#8221;||10px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Sentinelles<\/h3>\n<h5>Hongrie (9&#8242;) &#8211; 2018<\/h5>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">Portrait silencieux en noir et blanc d\u2019un berger et de son fils dans campagne Hongroise. Un film essai qui transporte dans une m\u00e9ditation sur la relation de l&#8217;homme avec la nature, et sur la transmission.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; text_text_color=&#8221;#bfbfbf&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><i><span style=\"font-weight: 400;\">An essay film about a shepherd and his son in the Hungarian deep countryside, a meditation about the connection between men and nature.<\/span><\/i><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; text_font=&#8221;&#8211;et_global_body_font|300|||||||&#8221; text_text_color=&#8221;#51505D&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"text-decoration: underline;\"><a href=\"https:\/\/vimeo.com\/273400739?share=copy#t=0\" target=\"_blank\" rel=\"noopener\" title=\"Sentinelles\">Lien de visionnage<\/a><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;|auto|50px|auto||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_padding_tablet=&#8221;||30px||false|false&#8221; custom_padding_phone=&#8221;||30px||false|false&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;http:\/\/charlottemuller.fr\/wp-content\/uploads\/2025\/03\/TALES-OF-MEN.jpg&#8221; title_text=&#8221;TALES OF MEN&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||-40px||false|false&#8221; custom_margin_tablet=&#8221;||-40px||false|false&#8221; custom_margin_phone=&#8221;||-40px||false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;257df6e0-4e81-44f1-87c9-ef367f9d54b3&#8243; header_3_font=&#8221;&#8211;et_global_heading_font|100||on|||||&#8221; header_3_text_color=&#8221;#51505D&#8221; header_3_line_height=&#8221;1.4em&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_color=&#8221;#CED4BE&#8221; custom_margin=&#8221;||10px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Tales of Men<\/h3>\n<h5>Hongrie (10&#8242;) &#8211; 2018<\/h5>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">Un ensemble de tableaux loufoques sur la <\/span><span style=\"font-weight: 400;\">moustache Hongroise et le concept de masculinit\u00e9.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; text_text_color=&#8221;#bfbfbf&#8221; custom_padding=&#8221;||0px|||&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><i><span style=\"font-weight: 400;\">An absurd investigation about Hungarian moustache and manhood&#8217;s stereotypes.<\/span><\/i><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"text-decoration: underline;\"><a href=\"https:\/\/vimeo.com\/291264028\" target=\"_blank\" rel=\"noopener\" title=\"Tales of Men\">Lien de visionnage<\/a><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;|auto|50px|auto||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; 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_module_preset=&#8221;257df6e0-4e81-44f1-87c9-ef367f9d54b3&#8243; header_3_font=&#8221;&#8211;et_global_heading_font|100||on|||||&#8221; header_3_text_color=&#8221;#51505D&#8221; header_3_line_height=&#8221;1.4em&#8221; header_5_font=&#8221;||||||||&#8221; header_5_text_color=&#8221;#CED4BE&#8221; custom_margin=&#8221;||10px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Mambeado, portrait d&#8217;un jeune chaman<\/h3>\n<h5>Colombie (45&#8242;) &#8211; 2015<\/h5>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;a7766f39-433d-4090-a0d2-fbbe5e23bef8&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">L&#8217;histoire de Cornelio, 20 ans, agriculteur, chef de famille et chaman d\u2019une communaut\u00e9 indig\u00e8ne Huitoto, \u00e0 Leticia, au c\u0153ur de l\u2019Amazonie colombienne, qui a fait le choix de vie singulier de perp\u00e9tuer les rituels traditionnels des anc\u00eatres alors que rien ne l\u2019y pr\u00e9destinait.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; 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