{"id":85,"date":"2025-03-20T14:35:38","date_gmt":"2025-03-20T13:35:38","guid":{"rendered":"https:\/\/charlottemuller.fr\/?page_id=85"},"modified":"2026-03-26T12:09:57","modified_gmt":"2026-03-26T11:09:57","slug":"realisation","status":"publish","type":"page","link":"https:\/\/charlottemuller.fr\/?page_id=85","title":{"rendered":"R\u00e9alisation"},"content":{"rendered":"

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R\u00e9alisation<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.4″ _module_preset=”default” width_tablet=”” width_phone=”90%” width_last_edited=”on|phone” module_alignment=”center” custom_margin=”|auto|90px|auto||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||30px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_image src=”http:\/\/charlottemuller.fr\/wp-content\/uploads\/2026\/03\/VAOUR_DEC25.00_59_06_11.Still002-scaled-e1774522471993.jpg” title_text=”JUR” _builder_version=”4.27.6″ _module_preset=”default” custom_margin=”||-40px||false|false” custom_margin_tablet=”||-40px||false|false” custom_margin_phone=”||-40px||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”||0px||false|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.6″ _module_preset=”257df6e0-4e81-44f1-87c9-ef367f9d54b3″ header_3_font=”–et_global_heading_font|100||on|||||” header_3_text_color=”#51505D” header_3_line_height=”1.4em” header_5_font=”||||||||” header_5_text_color=”#CED4BE” custom_margin=”||10px||false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

JUR<\/h3>\n

France \/ Espagne (70′) – sortie pr\u00e9vue 2027<\/h5>\n

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Jur est une artiste catalane vivant dans le Tarn. En r\u00e9mission d\u2019une tumeur c\u00e9r\u00e9brale, elle multiplie les projets artistiques pour tenir \u00e0 distance sa peur de la mort. <\/span>\u00c0 l\u2019aube de ses 45 ans, un centre de r\u00e9\u00e9ducation lui propose d\u2019animer des ateliers de mouvement<\/span> <\/span>aupr\u00e8s de personnes c\u00e9r\u00e9brol\u00e9s\u00e9es. <\/span>Au fil des s\u00e9ances, le cadre collectif agit comme un miroir: il r\u00e9v\u00e8le ses propres s\u00e9quelles et ouvre un espace de reconnaissance et de r\u00e9paration. J<\/span>ur se r\u00e9approprie son corps, son v\u00e9cu, et transforme l\u2019\u00e9preuve intime en exp\u00e9rience partag\u00e9e.<\/span><\/p>\n

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Jur, a Catalan artist in remission from a brain tumor, channels her fear of death into artistic projects. As she starts to lead movement worksh<\/span>ops for people with brain injuries, the sessions reflect her own struggles, allowing her to reclaim her body and experiences, and transform her personal ordeal into a shared journey.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”|auto|90px|auto||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||30px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_image src=”http:\/\/charlottemuller.fr\/wp-content\/uploads\/2025\/03\/LA-FIANCEE-DE-L_EAU-scaled.jpg” title_text=”Ma grand-m\u00e8re en maillot de bain” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||-40px||false|false” custom_margin_tablet=”||-40px||false|false” custom_margin_phone=”||-40px||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”257df6e0-4e81-44f1-87c9-ef367f9d54b3″ header_3_font=”–et_global_heading_font|100||on|||||” header_3_text_color=”#51505D” header_3_line_height=”1.4em” header_5_font=”||||||||” header_5_text_color=”#CED4BE” custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

Ma grand-m\u00e8re en maillot de bain<\/h3>\n

Belgique (11′) – 2025<\/h5>\n

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M\u00e9m\u00e9, c\u2019est ma grand-m\u00e8re polonaise qui s\u2019est suicid\u00e9e quand j\u2019avais 17 ans. Parce que la r\u00e9alit\u00e9 est parfois trop cruelle, c\u2019est \u00e0 travers les souvenirs d\u2019enfance d\u2019un enfant de six ans, na\u00eff et tendre, que je raconte son histoire.<\/span><\/p>\n

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My grandmother never learned to swim. She commited suicide when I was 17 by drowning herself in the river. Because reality is too sad, I chose to tell her story through the childhood memories of a six years old child.<\/span><\/i><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”|auto|90px|auto||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||30px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_image src=”http:\/\/charlottemuller.fr\/wp-content\/uploads\/2025\/03\/NO-MAN_S-LAND.jpg” title_text=”NO MAN’S LAND” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||-40px||false|false” custom_margin_tablet=”||-40px||false|false” custom_margin_phone=”||-40px||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”257df6e0-4e81-44f1-87c9-ef367f9d54b3″ header_3_font=”–et_global_heading_font|100||on|||||” header_3_text_color=”#51505D” header_3_line_height=”1.4em” header_5_font=”||||||||” header_5_text_color=”#CED4BE” custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n

No man’s land<\/h3>\n
Belgique (22′) – 2019<\/h5>\n

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Portrait crois\u00e9 de trois femmes ind\u00e9pendantes qui font le choix d’avoir un enfant seule. No Man’s Land, c’est l’espace hors-la-loi entre la France et la Belgique en mati\u00e8re de PMA, et une r\u00e9flexion sur le conflit moderne entre maternit\u00e9 et \u00e9mancipation f\u00e9minine.<\/span><\/p>\n

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A serene short film about intentional motherhood, in which three women on a train trip describe the process and share their train of thoughts in an interior monologue.<\/span><\/i><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”a7766f39-433d-4090-a0d2-fbbe5e23bef8″ global_colors_info=”{}”]<\/p>\n

Lien de visionnage<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”|auto|50px|auto||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||30px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_image src=”http:\/\/charlottemuller.fr\/wp-content\/uploads\/2025\/03\/SENTINELLE.jpg” title_text=”SENTINELLE” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||-40px||false|false” custom_margin_tablet=”||-40px||false|false” custom_margin_phone=”||-40px||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”257df6e0-4e81-44f1-87c9-ef367f9d54b3″ header_3_font=”–et_global_heading_font|100||on|||||” header_3_text_color=”#51505D” header_3_line_height=”1.4em” header_5_font=”||||||||” header_5_text_color=”#CED4BE” custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

Sentinelles<\/h3>\n
Hongrie (9′) – 2018<\/h5>\n

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Portrait silencieux en noir et blanc d\u2019un berger et de son fils dans campagne Hongroise. Un film essai qui transporte dans une m\u00e9ditation sur la relation de l’homme avec la nature, et sur la transmission.<\/span><\/p>\n

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An essay film about a shepherd and his son in the Hungarian deep countryside, a meditation about the connection between men and nature.<\/span><\/i><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”a7766f39-433d-4090-a0d2-fbbe5e23bef8″ text_font=”–et_global_body_font|300|||||||” text_text_color=”#51505D” locked=”off” global_colors_info=”{}”]<\/p>\n

Lien de visionnage<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”|auto|50px|auto||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||30px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_image src=”http:\/\/charlottemuller.fr\/wp-content\/uploads\/2025\/03\/TALES-OF-MEN.jpg” title_text=”TALES OF MEN” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||-40px||false|false” custom_margin_tablet=”||-40px||false|false” custom_margin_phone=”||-40px||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”257df6e0-4e81-44f1-87c9-ef367f9d54b3″ header_3_font=”–et_global_heading_font|100||on|||||” header_3_text_color=”#51505D” header_3_line_height=”1.4em” header_5_font=”||||||||” header_5_text_color=”#CED4BE” custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n

Tales of Men<\/h3>\n
Hongrie (10′) – 2018<\/h5>\n

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Un ensemble de tableaux loufoques sur la <\/span>moustache Hongroise et le concept de masculinit\u00e9.<\/span><\/p>\n

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An absurd investigation about Hungarian moustache and manhood’s stereotypes.<\/span><\/i><\/p>\n

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Lien de visionnage<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”|auto|50px|auto||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||30px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_image src=”http:\/\/charlottemuller.fr\/wp-content\/uploads\/2025\/03\/DANS-LA-CHAMBRE-D_APHRODITE.jpg” title_text=”DANS LA CHAMBRE D’APHRODITE” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||-40px||false|false” custom_margin_tablet=”||-40px||false|false” custom_margin_phone=”||-40px||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”257df6e0-4e81-44f1-87c9-ef367f9d54b3″ header_3_font=”–et_global_heading_font|100||on|||||” header_3_text_color=”#51505D” header_3_line_height=”1.4em” header_5_font=”||||||||” header_5_text_color=”#CED4BE” custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

Dans la chambre d’Aphrodite<\/h3>\n
Portugal (10′) – 2017<\/h5>\n

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Une femme myst\u00e9rieuse erre dans <\/span>les bois, pose des questions intimes \u00e0 des chauffeurs de taxis la nuit, et r\u00f4de autour d\u2019un <\/span>motel. Une Aphrodite moderne<\/span>\u00a0<\/p>\n

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A mysterious woman wanders in the woods, takes rides with taxi drivers to ask them about intimacy and haunts a love hotel room : a modern Afrodite story. <\/span><\/i><\/p>\n

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Lien de visionnage<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”|auto|50px|auto||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||30px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_image src=”http:\/\/charlottemuller.fr\/wp-content\/uploads\/2025\/03\/EMMA-copie.jpg” title_text=”EMMA” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||-40px||false|false” custom_margin_tablet=”||-40px||false|false” custom_margin_phone=”||-40px||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”257df6e0-4e81-44f1-87c9-ef367f9d54b3″ header_3_font=”–et_global_heading_font|100||on|||||” header_3_text_color=”#51505D” header_3_line_height=”1.4em” header_5_font=”||||||||” header_5_text_color=”#CED4BE” custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n

Emma<\/h3>\n
Colombie (7′) – 2016<\/h5>\n

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Emma vit dans une communaut\u00e9 Huitoto, au c\u0153ur de la for\u00eat Amazonienne, en Colombie. C\u2019est la femme du chaman. Nous passons une journ\u00e9e avec elle, immerg\u00e9s dans son quotidien.<\/span><\/p>\n

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Emma lives in an Uitoto tribe, in the middle of the Amazon rainforest in Colombia. She is the shaman\u2019s wife. We spend a day along with her, as an immersion into her daily life.<\/span><\/i><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”|auto|50px|auto||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||30px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_image src=”http:\/\/charlottemuller.fr\/wp-content\/uploads\/2025\/03\/CRONICA.jpg” title_text=”CRONICA” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||-40px||false|false” custom_margin_tablet=”||-40px||false|false” custom_margin_phone=”||-40px||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”257df6e0-4e81-44f1-87c9-ef367f9d54b3″ header_3_font=”–et_global_heading_font|100||on|||||” header_3_text_color=”#51505D” header_3_line_height=”1.4em” header_5_font=”||||||||” header_5_text_color=”#CED4BE” custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n

Cronica<\/h3>\n
Chili (13′) – 2016<\/h5>\n

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Un clown – musicien de rue d\u00e9pressif est coinc\u00e9 dans une boucle ; sa journ\u00e9e se r\u00e9p\u00e8te \u00e0 l\u2019infini, entre d\u00e9sespoir et promesse d\u2019un jour meilleur.<\/span><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”a7766f39-433d-4090-a0d2-fbbe5e23bef8″ text_text_color=”#bfbfbf” custom_padding=”||0px|||” locked=”off” global_colors_info=”{}”]<\/p>\n

A depressed street clown is stuck in a loop : his day repeats itself indefinitely, between hope and despair.<\/span><\/i><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”|auto|50px|auto||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||30px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_image src=”http:\/\/charlottemuller.fr\/wp-content\/uploads\/2025\/03\/MAMBEADO.jpg” title_text=”MAMBEADO, portrait d’un jeune chaman” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||-40px||false|false” custom_margin_tablet=”||-40px||false|false” custom_margin_phone=”||-40px||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”257df6e0-4e81-44f1-87c9-ef367f9d54b3″ header_3_font=”–et_global_heading_font|100||on|||||” header_3_text_color=”#51505D” header_3_line_height=”1.4em” header_5_font=”||||||||” header_5_text_color=”#CED4BE” custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

Mambeado, portrait d’un jeune chaman<\/h3>\n
Colombie (45′) – 2015<\/h5>\n

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L’histoire de Cornelio, 20 ans, agriculteur, chef de famille et chaman d\u2019une communaut\u00e9 indig\u00e8ne Huitoto, \u00e0 Leticia, au c\u0153ur de l\u2019Amazonie colombienne, qui a fait le choix de vie singulier de perp\u00e9tuer les rituels traditionnels des anc\u00eatres alors que rien ne l\u2019y pr\u00e9destinait.<\/span><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”a7766f39-433d-4090-a0d2-fbbe5e23bef8″ text_text_color=”#bfbfbf” custom_padding=”||0px|||” locked=”off” global_colors_info=”{}”]<\/p>\n

The story of Cornelio, 20 years old, farmer, head of family and shaman of an Uitoto tribe, in Leticia, in the heart of the amazonian jungle.<\/span><\/i><\/p>\n

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Pour recevoir l\u2019actualit\u00e9 des stages.<\/p>\n

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R\u00e9alisationJUR France \/ Espagne (70′) – sortie pr\u00e9vue 2027Jur est une artiste catalane vivant dans le Tarn. En r\u00e9mission d\u2019une tumeur c\u00e9r\u00e9brale, elle multiplie les projets artistiques pour tenir \u00e0 distance sa peur de la mort. \u00c0 l\u2019aube de ses 45 ans, un centre de r\u00e9\u00e9ducation lui propose d\u2019animer des ateliers de mouvement aupr\u00e8s de […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-85","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/charlottemuller.fr\/index.php?rest_route=\/wp\/v2\/pages\/85","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/charlottemuller.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/charlottemuller.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/charlottemuller.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/charlottemuller.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=85"}],"version-history":[{"count":29,"href":"https:\/\/charlottemuller.fr\/index.php?rest_route=\/wp\/v2\/pages\/85\/revisions"}],"predecessor-version":[{"id":340,"href":"https:\/\/charlottemuller.fr\/index.php?rest_route=\/wp\/v2\/pages\/85\/revisions\/340"}],"wp:attachment":[{"href":"https:\/\/charlottemuller.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=85"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}